Dance and theatre often explore the power of rhythmical playing, with words and their sonority, without attaching a special significance to them. When the hands dance, the gestures cannot be translated by one language, but one can feel the emotional intensity with which the actor-dancer performs. For the traditional actor-dancer, the emotion portrayed is a result of the fabric of all predetermined movements, far from any interpretation inspired by previous experience. For the audience and some contemporary performers, the feelings are complex and attached to their memory. Come discover this world of rasa with Katia Legeret-Manochhaya in this book – Dance Theatre of India: Crossing New Aesthetics and cultures!.