Synopsis This book discusses at length the Craftsmanhip of Christopher Fry: The Dramatist. It deals with of his plays. It explores the need of a fresh perspective for his study. His pre-was play The Boy with a Cart is also incorporated. This book mostly analyses plays of the 1940’s which consists of his four plays The Firstborm, Aphoenix Too Frequent, The Lady’s Note for Burning This also throw light on modern poetic drama compairing T.S. Eliot, Norman Nicholson and Ann Ridler. This book approaches Fry as dramatist not as a poet of thinker.