Synopsis The study seeks to clarify myths and concepts about the different styles of acting on the stage. All the major styles of acting-melodramatic, biomechanical, expressionist, symbolist, psychological-naturalist, epic theater-have been included in the book. The discussion of acting styles is marked by lucidity of expression and clarity of argument chastened by a deep insight of a practitioner of the various styles. The study brings into sharp focus the mechanics and dynamics of each acting style and gives a clear and useful guidance to its practitioner as to how to exploit himself as a player whose instrument, too, he himself is. Frequent reference to the Indian performance scenario makes the book eminently meaningful to the Indian theater persons and theater lovers. Several interesting, penetrating conclusions have been thrown up.