This volume reveals the roles of foreign and Indian Jews in the Indian national art project and raises many issues: Is an “Indian artist” any artist born into an Indian family? What role can foreigners and members of Indian minority groups play in the Indian National Art Project as scholars, critics, or artists? Is a piece of work “Indian art” because of its subject matter or its style? Is it possible to utilize “foreign techniques” in creating “Indian art”? Can the demands of personal individual creativity and the national art project be in dynamic tension with each other or are they always in opposition? How can artists retrieve the connections to their roots without being limited by them? In what ways does the modernization and change in India reflect changes in other societies? How can artists transcend the hegemony of established Western modes of thought and creativity?