Synopsis The book is a study of Indian art representing devotion, love, human moodes and sentiments, especially in its depiction of female sculptures on ancient temples.  It begins with a discussion on Indian art as synthesis of the sublime in nature and the human physical form that conveys the sublime.  With numerous illustrations of art, iconography and sculptures from different regions of India, it examines a breath-taking variety of female forms of divinities, celestial nymphs and others symbolizing youth, beauty and sensuousness.  Referring to features of art of different periods under various dynasties, like the Gupta art, it focuses on representation of female forms and couples particularly erotic realizations in art, i.e., nude figures and mithuna scenes.  It studies the figures carved on various materials and in different styles, highlighting the salient features of each.  The influence of religious traditions, as Tantrism, on the art depicted is painstakingly traced.  Giving examples from famous temples of Khajuraho, Bhubaneshwar, Puri, Konarka, Nagda, Belur, Halebid, Ajanta and Ambarnath, the work examines expressions, postures and attitudes of figures to show that they reflect physical bliss, emotional and psychological expressions, and the spiritual state.  The book will be useful for scholars of art and art historians in particular who are keen on understanding the aesthetics of Indian art.